2020 June | Hodgins Art Auctions

Notes:

signed lower right; signed & titled verso
Estate of Bill and Peggy Code, Calgary AB

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signed lower right; titled verso and on the gallery label
Provenance: Estate of Raymond Rougeau, Brooks AB; Gainsborough Galleries, Calgary AB

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signed lower right; titled on the artist’s label verso
Provenance: Lamm Art Gallery, Calgary AB
Note: This painting is accompanied by a copy of the book: “Roland Gissing: The Peoples’ Painter” (Max Foran & Nonie Houlton; The University of Calgary Press; 1988).

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signed lower right; titled & dated on a plaque

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signed lower right; titled & dated on the stretcher verso
Provenance: West End Gallery, Edmonton AB

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signed lower right; signed, titled & dated verso
Provenance: Private collection, Calgary AB; Former collection of Tara de Grandmaison (daughter of the artist); Formerly from the Estate of Dr. Howard Freeze, Calgary AB

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signed lower right; signed & titled verso
Provenance: Estate of Bill and Peggy Code, Calgary AB; Kensington Fine Art Gallery, Calgary AB

Notes:

signed lower right; signed & dated verso

Provenance: Estate of Bill and Peggy Code, Calgary AB; Gainsborough Galleries, Calgary AB

Note: This work appears on page 121 of “Robert Genn: In Praise of Painting” (Robert Genn; Merritt Publishing; 1981). It was used as an examplar of a painting where Genn’s technique’s included toning down by glazing and later wiping out selected areas of the canvas. A copy of the book accompanies this painting.

Notes:

signed lower right; signed, titled & dated verso
Provenance: Estate of Bill and Peggy Code, Calgary AB; David Edwards Gallery, Bragg Creek AB

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signed & dated lower right and verso

Provenance: Wallack Galleries, Ottawa ON (label remnants verso)

Jean McEwen was born in Montreal to a Scottish father and French Canadian mother. A true renaissance man, he completed a Pharmacy degree at the University of Montreal, while also pursuing his interest in painting and poetry (his poetry was published and his first submission to the Spring Salon of the Montreal Museum of Arts was accepted and well-received). McEwen soon developed a friendship with Paul-Emile Borduas, who inspired his early experimentation. In 1951, McEwen held his first one-man show at Galerie Agnes Lefort, to favorable reviews. Shortly afterward, having made the decision to pursue a career as an artist, he left for Paris.

The following two years (1951-1953), were immersive ones. During this time, McEwen’s associates included American artist Sam Francis, French painter Georges Mathieu and fellow Quebecer Jean-Paul Riopelle (a connection facilitated by Borduas). McEwen exhibited with Riopelle and Francis at Galerie du Dragon, painted in Brittany, and travelled to Italy, Holland and Spain to view the works of the Masters.

Upon his return to Montreal, McEwen began to define himself as an artist, progressively distinguishing his work from that of earlier influences. In 1956, he became a member of the newly-founded Association des Artistes Non Figuratifs de Montréal, becoming president of the association in 1960. McEwen was maturing as an artist and now exhibiting more broadly. Solo shows at Gallery Moos (Toronto) in 1961 and 1962, provided the impetus for a New York solo show the following year at the Martha Jackson Gallery, then for several other International exhibitions. In 1966, McEwen’s work was featured in a joint touring exhibition (with Harold Town) of the National Gallery of Canada, and he was also included in the National Gallery’s Canadian Centennial show the following year.

The 1960s were a pivotal time in McEwen’s career. This piece, created in 1962, exemplifies his work from this time period. It features a strong vertical column, which anchors the composition and creates structure. His use of colour contrast – the yellow symmetrical plains, against the strong focal red, and burnt umber – adds drama and depth to the composition, while illuminating a dappled effect, and accentuating the texture of the pigment layers.

Jean McEwen is one of Canada’s most influential abstract painters, with a career spanning over 50 years. The Montreal Museum of Fine Arts presented major retrospectives of McEwen’s work in 1973 and 1987. His work can be found in numerous public collections including the National Gallery of Canada (Ottawa), the Museum of Modern Art (New York) and the Montreal Museum of Fine Arts.