2024 September - Prices Realized

Notes:

Sampson-Matthews label verso

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC (label verso)

Note: Produced after an original painting (collection of the National Gallery of Canada) and issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 130.

Notes:

initialed and dated in the screen lower right; Sampson-Matthews label verso

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC (label verso)

Note: Produced after a 1924 painting and issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 134.

Notes:

Sampson-Matthews label verso

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC (label verso)

Note: Produced after an original painting (collection of the National Gallery of Canada) and issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 146.

Notes:

signed in the screen lower right; signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC (label verso)

Note: First issued in 1944 as part of the Wartime series (2B).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 65.

Notes:

initialed in the screen lower right; signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC (label verso)

Note: Issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 148.

Notes:

signed in the screen lower right; signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso; unframed/shrink-wrapped

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC

Note: Issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 131.

Notes:

signed in the screen lower right; signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso; unframed/shrink-wrapped

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC

Note: After an original work commissioned in 1950 (private collection) and first issued that year as part of the series “Pulp & Paper Prints II”.

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 109.

Notes:

signed in the screen lower left; signed “Supervised by A. J. Casson” in pen lower left; unframed/shrink-wrapped

Note: This is the only work by Morrice included in the Sampson-Matthews collection. The image was produced after a 1907 canvas (acquired by the National Gallery of Canada in 1938) and the print was first issued in 1943 as part of the Wartime series (1D).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 57.

Notes:

signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso; unframed/shrink-wrapped

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC

Note: This print, prepared in 1952, is the only work by Turner included in the Sampson-Matthews collection. It was issued as part of the series “100 Canadian Paintings” (1953-1957).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 186.

Notes:

signed in the screen lower right; signed “Supervised by A. J. Casson” in pen lower right; Sampson-Matthews label verso; unframed/shrink-wrapped

Provenance: Pegasus Gallery of Canadian Art, Salt Spring Island, BC

Note: This is the only print by Watson included in the Sampson-Matthews collection. It was issued as part of the series “60 Canadian Landscapes” (1947-1953).

Reference: “Art for War and Peace: How a Great Public Art Project Helped Canada Discover Itself” (Ian Sigvaldason & Scott Steedman; Red Leaf, 2015). A full page illustration can be found on page 162.