Artist: Helen Rogak
Title: ALBERTA MARSH
Medium: acrylic on canvas
Dimensions: 44 x 48 in. (111.8 x 121.9 cm)
Notes:
signed & titled
Provenance: Kensington Fine Art, Calgary
LOT: 249
Auction: 2013 May | Hodgins Art Auctions
Artist: Serge Cadorette
Title: AUTUMN LEAVES
Medium: oil on canvas
Dimensions: 24 x 30 in. (61 x 76.2 cm)
Notes:
signed & titled
LOT: 248
Auction: 2013 May | Hodgins Art Auctions
Artist: Curtis Golomb
Title: AS EVENING FALLS
Medium: acrylic on canvas
Dimensions: 40 x 40 in. (101.6 x 101.6 cm)
Notes:
signed & titled
LOT: 247
Auction: 2013 May | Hodgins Art Auctions
Artist: Neil Patterson
Title: HOMESTEAD
Medium: oil on board
Dimensions: 18 x 24 in. (45.7 x 61 cm)
Notes:
signed & titled
LOT: 246
Auction: 2013 May | Hodgins Art Auctions
Artist: Hilton MacDonald Hassell
Title: PHANTOM SHIPS
Medium: oil on masonite
Dimensions: 23.75 x 37.75 in. (60.3 x 95.9 cm)
Notes:
signed; titled on artist’s label verso
LOT: 245
Auction: 2013 May | Hodgins Art Auctions
Artist: Daniele Lemieux
Title: POIREAUX
Medium: oil on canvas
Dimensions: 24 x 36 in. (61 x 91.4 cm)
Notes:
signed & titled
LOT: 291
Auction: 2013 May | Hodgins Art Auctions
Artist: Barry Weiss
Title: UNTITLED 02.IX
Medium: oil on canvas
Dimensions: 76 x 60 in. (182.9 x 152.4 cm)
Notes:
signed
Provenance: Newzones Gallery, Calgary
LOT: 290
Auction: 2013 May | Hodgins Art Auctions
Artist: Vladimir Sevcik
Title: LEAVES #6
Date: 1996
Medium: acrylic on canvas
Dimensions: 54 x 81 in. (137.2 x 205.7 cm)
Notes:
signed, titled & dated
Note: Working in meticulous high realism, using free-hand airbrushing techniques, Sevcik’s unconventional work led to his 1971 expulsion from the University of Fine Arts in Prague.
LOT: 289
Auction: 2013 May | Hodgins Art Auctions
Artist: Errol Brimacombe
Title: DANCING LEAVES
Medium: oil on canvas
Dimensions: 36 x 48 in. (91.4 x 121.9 cm)
Notes:
signed
LOT: 288
Auction: 2013 May | Hodgins Art Auctions
Artist: Robert Wakeham Pilot
Title: SUNSET, LÉVIS, P.Q.
Date: 1924
Medium: oil on panel
Dimensions: 8.5 x 10.5 in. (21.6 x 26.7 cm)
Notes:
signed & dated; titled on gallery label verso
Provenance: The Watson Art Galleries, Montreal
Robert Pilot’s early exposure to art came from his step-father, artist Maurice Cullen, in whose studio he assisted, and with whom he often travelled and sketched. Under the tutelage of William Brymner, Pilot’s training at the RCA and the Art Association of Montreal revealed an exceptional talent and garnered early recognition. With the assistance of an arts patron, Pilot was able to study in Paris. He trained at the Académie Julian, painted at Concarneau and exhibited with the Paris Salon, becoming elected to the Salon National des Beaux-Arts before returning to Canada.
As a young man Pilot had accepted an invitation to exhibit at the first Group of Seven show in 1920, though he did not go on to join the group. Pilot was guided by more impressionistic sensibilities. He was not drawn to depict the remote landscapes and rugged wilderness of Canada, but to the gentler, populated regions and human landscape, particularly those of the Lower St. Lawrence.
Lévis, Quebec is a recurring subject for Pilot, with important works such as “Québec from Lévis” and “Twilight, Lévis” residing in the collection of the National Gallery of Canada.
LOT: 286
Auction: 2013 May | Hodgins Art Auctions