Artist: Harold Demont Olsen
Title: WINTER EVENING, LIBERTY, UTAH
Date: 1987
Medium: watercolour on paper
Dimensions: 21 x 29 in. (53.3 x 73.7 cm)
Notes:
signed & dated
LOT: 299
Auction: 2014 May | Hodgins Art Auctions
Artist: Father Henry Metzger
Title: SAMUEL DE CHAMPLAIN MEETS WITH THE INDIGENOUS PEOPLES
Medium: oil on canvas
Dimensions: 48 x 72 in. (121.9 x 182.9 cm)
Notes:
signed
About Father Henry Metzger
Born in France, Metzger trained in Paris at the Ecole des Beaux Arts and Academie Julian before becoming a parish priest and settling in Saskatchewan. He opened his art studio in 1916, and humbly created works for many churches, in addition to painting portraits of important first nations leaders for historical record.
About Samuel de Champlain
In 1603, Champlain made his first of many voyages across the Atlantic to the St. Lawrence Valley. His role as a geographer, explorer, cartographer and observer for the king was external to the voyage’s chain of command. This voyage was funded by Aymar de Chaste together with investors from Dieppe, Rouen and Saint-Malo in France, and was commanded by Captain François Gravé, Sieur du Pont, or Pont Gravé. Two young Montagnais (Innu) men, who had travelled to France the year before to learn French and study the culture, accompanied Champlain and Pont Gravé on this voyage aboard the Bonne-Renommée, which left France on March 15, 1603, and arrived at Tadoussac on May 26.
One of Champlain’s key priorities while at Tadoussac was to establish good relations with the indigenous peoples in the region. When he arrived, a large assembly of many nations was gathered at today’s Pointe aux Alouettes to celebrate a victory over their common enemy, the Iroquois (Haudenosaunee). Among them were several nations of Montagnais (Innu) (Innu) and many Algonquin (Anishinabe) nations from the Ottawa River area to the far northwest.
Champlain, Pont Gravé and their Montagnais (Innu) companions sailed across the Saguenay River and entered the camp where they were immediately taken to Chief Anadabijou. During this meeting, one of the Montagnais (Innu) men just back from France spoke of his experiences in that country and with the French people. This gathering, and the subsequent “tabagie,” or celebration, at Tadoussac provided the French and the First Nations present with an opportunity to forge an alliance based on trade and mutual interests.
Champlain’s other priorities in 1603 involved exploring possible trade routes and potential sites for permanent settlement. He surveyed the lower Saguenay River as a possible trade artery and trade route to the northwest passage. To protect their own interests as middlemen in a lucrative fur trade, his Montagnais (Innu) allies prevented him from travelling up the river to its source. They did, however, share knowledge and general information about the country beyond the lower Saguenay River, including the Great Lakes and Niagara Falls to the west, and a salt sea to the north.
Much of the remainder of Champlain’s journey was spent travelling the St. Lawrence to Montreal Island and the Richelieu River to the Saint-Ours Rapids. During his time on the St. Lawrence in 1603, Champlain named Montmorency Falls after the admiral of France and Trois-Rivières at the mouth of the Saint-Maurice River. He then sailed beyond Tadoussac to the Gaspé Peninsula, where he speculated on Acadia’s mining opportunities and a possible shortcut to China.
The Bonne-Renommé arrived back in France in late September 1603. In November of that year, Champlain published a book on his journey, titled Des Sauvages, ou Voyage de Samuel de Champlain, De Brouage. This and future accounts of his voyages communicated to the king and influential members of French society the great potential of New France for trade and settlement.
LOT: 298
Auction: 2014 May | Hodgins Art Auctions
Artist: James Henderson
Title: CATTLE RESTING BENEATH THE TREES
Medium: oil on canvas laid on board
Dimensions: 12 x 14 in. (30.5 x 35.6 cm)
Notes:
signed
LOT: 297
Auction: 2014 May | Hodgins Art Auctions
Artist: Frederick Arthur Verner
Title: INDIAN ENCAMPMENT ON THE SHORE OF A LAKE
Date: 1884
Medium: watercolour on paper
Dimensions: 9.5 x 14.25 in. (24.1 x 36.2 cm)
Notes:
signed & dated
Provenance: Walter Klinkhoff Gallery, Montreal
LOT: 296
Auction: 2014 May | Hodgins Art Auctions
Artist: Otis Pierce Cook
Title: HARBOUR SCENE WITH DOCKED SAILING BOATS
Medium: oil on canvas
Dimensions: 24 x 30 in. (61 x 76.2 cm)
Notes:
signed
LOT: 295
Auction: 2014 May | Hodgins Art Auctions
Artist: Willem Hendrick Eickelberg
Title: BOATS IN THE HARBOUR
Medium: oil on canvas
Dimensions: 15.75 x 20.5 in. (40 x 52 cm)
Notes:
signed
LOT: 294
Auction: 2014 May | Hodgins Art Auctions
Artist: Charles Diebold
Title: COASTAL SCENE WITH BOATS
Medium: oil on canvas, relined
Dimensions: 12 x 18 in. (30.5 x 45.7 cm)
Notes:
signed
LOT: 293
Auction: 2014 May | Hodgins Art Auctions
Artist: Max Karl Tilke
Title: WOMEN WASHING CLOTHES IN THE RIVER
Date: 1902
Medium: oil on canvas
Dimensions: 22 x 30 in. (55.9 x 76.2 cm)
Notes:
signed & dated
Note: Gebruder Rohlich, Berlin sticker verso
LOT: 292
Auction: 2014 May | Hodgins Art Auctions
Artist: Andre Gisson
Title: PLACE VENDOME
Medium: oil on canvas
Dimensions: 24 x 30 in. (61 x 76.2 cm)
Notes:
signed
Note: Andre Gisson is the brush name of Anders Gittelson.
LOT: 291
Auction: 2014 May | Hodgins Art Auctions
Artist: Theodore Rousseau
Title: THE RIVER BANK
Medium: oil on canvas, relined
Dimensions: 6.5 x 8.5 in. (16.5 x 21.6 cm)
Notes:
monogrammed “TH.R”; titled on gallery label verso
Provenance: Luscombe Carroll, The Carroll Gallery, London (label verso)
LOT: 290
Auction: 2014 May | Hodgins Art Auctions